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100 % Authentic Fragrance, New in Retail Box

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Graham Webb Bodacious Perfume .135 oz (4 ML) MINI REFILL SIZE – This refills your purse spray (see Graham Webb Bodacious Perfume Spray 0.085oz) It is a very small bottle.

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Save 10% on any order- Join Friends & Family! E-mail Sign-up Required. This product meets our natural beauty standards with a high concentration of quality natural botanicals while keeping harsh chemicals to a minimum. This exotic fragrance is inspired by the rolling tea plantations of Indonesia at sunrise; cool mountain air and crisp morning dew intertwined with the scent of young Jasmine Tea Blossoms deliver an unmistakable scent. The heart of the fragrance is built around the IndonesianTiare Flower and is coupled with delicate Jasmine andMagnolia Petals. Lush, fresh, green nuances of Bamboo andPalm Fronds mix with Violet Petals to create an exotic, crisp,green, floral scent, while a sultry blend of Vanilla, Amber andMusk round out these fragrant flowers.Benefits:Fragrance is fast absorbing and long lasting.The roller ball applicator is small and travel friendly.Alcohol-free and gentle enough to be applied directly to the skin.Paraben, Petroleum and colorant free. 100% vegetarian.

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Fill your home with the delightful aromas of Jasmine, apple, and plum. Beautiful Asian inspired flowers fall gently around an elegant peacock, with hanging cut glass crystal. The peacock symbolizes beauty, power and knowledge. Light your Luminary to enhance your mood or simply display anywhere for added decor. Burn time 240 hours. 28 fl. oz.

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The Perfect Scent by Chandler Burr A Year Inside The Perfume Industry In Paris and New York — The New York Times perfume critic yes, you read that right follows the creation of two industry-defining perfumes. While Burr (The Emperor of Scent, 2003, etc.) approaches his beat with healthy skepticism, he s also capable of flowery language, describing a perfume as smelling like early evening on an island where it is always summer. It s this mixture of hard-nosed business writing and flights of olfactory fancy that makes the text improbably exhilarating. Split between the twin capitals of fashion, and therefore of the perfume industry, Burr s account tracks the development of two new scents, each a high-stakes crapshoot. The New York fragrance was celebrity-driven. To create Sarah Jessica Parker Lovely, the actress spent an impressive amount of time with beauty-product manufacturer Coty s corporate perfumers trying to create a scent that would not only capture her essence (don t laugh: they actually seem to have done it) but would survive in an increasingly volatile $31-billion market. Un Jardin sur le Nil, the more traditionally designed Parisian fragrance, was revolutionary in its own way. Seeking a higher profile in the lucrative perfume market, Herm s hired Jean-Claude Ellena, one of the professional ghosts who actually make the scents sold under designers names, to be its first-ever in-house perfumer. The astoundingly complex struggle to define and refine Nil, first reported by Burr in a 2005 New Yorker article, centered on an ephemeral conceit of green mangoes on the Nile. Lovely comes across here as a far more personal scent, though that might be a subjective judgment the author seems a little star-struck by SJP. Nonetheless, Burr sharply evokes the intoxicating, often infuriating mix of precise science and artistic vision necessary to create a perfume, aided by his impressively calibrated BS detector and ability to unearth the industry s many dirty little

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